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Representatives Rashida Tlaib (D-MI) and Jamaal Bowman (D-NY) recently introduced a new bill in Congress with the goal of creating a more equitable royalty model for artists on streaming platforms. The aptly named "Living Wage for Musicians Act," created in collaboration with the United Musicians and Allied Workers Union (UMAW), proposes a complete overhaul of the current streaming royalty system.
This legislation has the potential to be a game-changer for many artists struggling to make ends meet. As Rep. Tlaib states, "Detroit's artists have revolutionized the music industry... It's only fair that the folks who create the music we groove to get their fair cut, so they can thrive, not just survive." Rep. Bowman echoes this sentiment, highlighting the current imbalance: "It's downright wrong that an artist needs over a thousand streams of their song just to buy a cup of coffee."
The Living Wage for Musicians Act sends a strong message: artists deserve fair compensation for their economic contributions, not just recognition for their art. By guaranteeing creators fair pay for their work, this bill could foster a more vibrant and diverse music scene where creativity is valued, and artists can focus on their craft without financial constraints.
As we briefly noted, the act includes a cap on artists’ monthly streaming revenue for each song. Here’s what the United Musicians and Allied Workers Union (UMAW) website has to say about the cap: “...the Living Wage for Musicians act includes a maximum payout per track, per month… Money exceeding this cap (as it stands, 1,000,000 streams for a track in a month) will be used to increase the payout per stream for all recording musicians.”
High-performing artists may reach the cap on their earnings for their most popular songs, limiting their potential income from those tracks. However, they would still benefit from the increased base payout for all their other songs. For lesser-known artists, the increased base payout from the pool could significantly boost their overall streaming income, even if their individual songs didn’t reach the million-stream mark. So, while capping top artists’ earnings might discourage them from investing resources into creating hit songs since their financial reward would be limited, it would also allow for more equitable streaming payouts across the board.
Spotify’s FAQ page from their most recent Loud and Clear report states that “Spotify, like every major streaming service, pays royalties based on an artist’s share of overall streams across the platform. [They] call this ‘streamshare.’” According to the report, “[200,000] artists generated 95% of the total royalty pool on Spotify, while contributing 15% of all tracks uploaded daily to Spotify.” Effectively, under Spotify's current model, the most popular artists capture a significant portion of streaming revenue, while the vast majority of artists receive miniscule payouts.
If an artist had 10 songs generate over 1 million streams per month, they would receive $10K per song, and this would translate to $100K a month, or $1.2 million per year. If they have a larger catalog of songs, let’s say around 50, that are each generating over 1 million monthly streams, they would make around $500K a month, or $6 million per year. So, while the cap may reduce payouts to top earners, it’s still a pretty sweet deal for artists with consistently popular music. Here’s where the act makes the biggest impact: if a lesser-known artist has 10 songs that each generate 100K streams per month, they would receive $1000 per song and earn $10K per month or $120K per year—an actual living wage!
Now let’s look at one of the most frequently streamed artists: Drake. While precise monthly streaming figures for individual artists are often unavailable, we can make an educated guess about Drake's potential earnings under the Living Wage for Musicians Act. Drake currently has 84.2 million monthly listeners. To keep things simple, let’s assume that those are not repeat listeners (although many of them likely are). Drake has an extensive catalog of songs, with around 140 singles and 23 albums. If the 84.2 million streams from those listeners were split amongst his singles, that would amount to around 600K streams on each single per month (84.2 million monthly streams / 140 singles). 140 singles x 600K streams x $0.01 per stream would amount to a grand total of $840K per month—a little over $10 million per year. So, Drake would still earn a significant amount of money under the act, and other musicians would still have room to make a living from streaming, as well.
It's important to note that the one million stream cap figure is subject to change during the legislative process.
The Living Wage for Musicians Act is still in its early stages. While it has the backing of artist advocacy groups, its path to becoming law remains uncertain. Stay tuned for further developments in the battle for just compensation in the music industry!
If you want to read more about the act, check out this article on the UMAW website.
Adam Davault is a seasoned multi-instrumentalist who has produced music for 10+ years. Before that, he was a member of multiple rock and alternative bands and had the privilege of playing at major festivals like Sweetwater 420 Fest and Shamrock the Station. Witnessing the struggles musicians and producers face firsthand, he made it his mission to shed light on the industry's often-guarded secrets.